Hosted and administered by the Department of Anthropology in partnership with MATRIX: The Center for Digital Humanities and Social Sciences at Michigan State University, The Cultural Heritage Informatics Initiative is a platform for interdisciplinary scholarly collaboration in the domain of digital cultural heritage. In addition, the initiative strives to equip students with the methodological skills necessary to creatively apply information, communication, and computing technology to cultural heritage materials, questions, and challenges.
Alice was beginning to get very tired of sitting by her sister on the bank, and of having nothing to do: once or twice she had peeped into the book her sister was reading, but it had no pictures or conversations in it, ‘and what is the use of a book,’ thought Alice ‘without pictures or conversations?’Pictures and conversations have been dominating my thoughts on digital projects over the past few weeks, thanks to my work in a digital humanities class. Just as Alice astutely noted, most in the work done in my particular field of history is heavily textual, analytic, and descriptive. While within the discipline of history a book full of text without pictures is the norm, on the other hand a wall of text on a web site is a daunting thing to present to a site visitor, if by daunting you mean a sure fire way to make people click away. Over the course of the last few blog posts I laid out the vision for my project and my ideas to make each part work within a whole. Now, I'll be working through the implementation of these concepts although not without a little more philosophizing on the idea I am trying to project through my site. In my related digital humanities course I have begun to question the textual dominance of digital projects and have been asking myself how to bend images and nontextual sources towards creating a conversation between the material and a site visitor. History prides itself on writing--a lot of writing. If I'm going to be mining cliches, if a picture if worth a thousand words, a 360 image should worth at least be a novella. Now my dilemma is a practical one: how to incorporate these concepts and images into a digital project?
In the late 1500’s-early 1600’s, England experienced an explosion of plays written, performed, and attended. Concurrently, England witnessed an influx in the publication of artistic manuals.
The Saharan World at a Glance (SWAG) is a mobile-first digital text book. The site was designed specifically with incoming undergraduate students in mind. The site’s content is framed around the Saharan World: the North African coast, the Sahara, and the Sahel.
The Santa Clara Valley Medical Center (SCVMC) Historic Cemetery was re-discovered in 2012 due to construction related to expansion and seismic retrofitting at the west end of the hospital property.